Margaret Drabble Navigation Map
The Gates of Ivory
1992
Viking
American First Edition
Originally published in Great Britain
in 1991 by Penquin

In The Gates of Ivory, one of our most acclaimed, most ferociously perceptive writer now widens her creative canvas to bring forth her most powerful, passionate novel, yet. Liz Headland, a London psychiatrist blessed with a successful practice, and amicable divorce, and independent children - all the comforts of the modern world - receives a cryptic package in the mail. Inside are drawings of Cambodian temple ruins, fragments of a novel by her old friend Stephen Cox, and two points from a human finger bone.

The package is a message, apparently from Stephen, which Liz can decipher only by retracing its sender's journey form the safety of England to the chaos and corruption of Southeast Asia. As Margaret Drabble interweaves the odysseys of Liz and Stephen, she ushers the reader into a world that would be colorful were it's horrors not so authentically portrayed - a world of entrepreneurial beauty queens and media superstars, of ideological butchers and permanent refugees.

Here is perhaps the most memorable of Margaret Drabble's novels - a brilliant successor to The Radiant Way and A Natural Curiosity and one that ranks with her classic, The Ice Age and The Realms of Gold. It is scalding in its indignation and riveting in its narrative drive. In The Gates of Ivory she recreates nothing less than the end of our century. With all its huge betrayals and small apocalypses intact.


Margaret Drabble was born in Sheffield, England, in 1939 and was educated at Cambridge University. She published her first novel, A Summer Bird-Cage, in 1963, and is the author of twelve novels in all, most recently The Radiant Way and A Natural Curiosity. She is also the author of a number of works of biography and criticism, and is the editor of The Oxford Companion to English Literature

She has three children and lives in London with her husband, the biographer Michael Holroyd.



click on images
for larger version

REVIEWS:

  • New York Times